Album Review – Solborn / Dark Lights of Delirium (2018)

Welcome to a world of fantasy, childhood memories and beautiful dreams, all embraced by the stylish Symphonic Metal crafted by this very talented Canadian band.

Founded in 2014 by songwriter and keyboardist Anri Tsiskaridze, who was born in the Republic of Georgia and moved to Canada in 2008, Edmonton-based Symphonic Metal band Solborn (or Sōlborn, if you prefer) has suffered a few lineup changes and a noticeable musical evolution since their inception, until the band reached their final shape and form in 2018, culminating with the release of their debut album Dark Lights of Delirium. Featuring a dark and somewhat futuristic artwork by Pierre-Alain Durand (3mmi Design), Dark Lights of Delirium represents a world where you get to travel and witness fantasy, the mind’s beautiful plays, and fly through the clouds, walk on beaches on a moonlit night, and lay in the meadows of your childhood memories and be at peace with yourself and the worlds that surround you, all embraced by the powerful and symphonic arrangements delivered by McKenna Rae on lead vocals, Cody Lloyd on lead guitar, Mike Bell on rhythm guitars and growls, Dylan Mooney on bass, Anri Tsiskaridze on keyboards, and Danial Devost on drums.

Four years in the making, Dark Lights of Delirium is thematically and loosely based on Carl Sagan’s astronomical series ‘Cosmos’ (as well as Neil D. Tyson’s modern reboot of the series), with its lyrics taking your imagination to worlds of fantasy and memories of the most precious times of youth, childhood, and feelings of love and dreams. The songs dive into the escapism that Symphonic Metal is steeped in, where history is presented in a dream-like light, and fantasy and reality poetically collide. Starting with the revelation of an endless universe, soaring through the themes and imagery of the purge of knowledge, imaginary inner worlds, striving to find happiness or meaning in life, and ending with the tragic story of the execution of Giordano Bruno, whereby the narrator speaks to us as Bruno. Every song has its own individual meaning but still connects to each-other, and is still a part of the whole journey.

A cinematic, ethereal intro titled Aurora, led by the smooth piano notes and the imposing keys by Anri, sets the stage for the 7-minute aria Ad Infinitum, exploding into a modern and vibrant fusion of Melodic and Symphonic Metal where McKenna mesmerizes us all with her gorgeous voice, while Danial makes sure the word “heavy” is part of the music through his pounding, violent drums. The album couldn’t have started in a better way, and things get even better in Beast Of Oblivion, considerably more breathtaking and electrifying than the previous song, with McKenna having an interesting “beauty and the beast” duel with Mike, while the same Mike together with Cody slash their guitars beautifully from start to finish. Then Dylan’s rumbling bass and Danial’s fast and precise beats dictate the rhythm in another Symphonic Metal feast titled Pale Blue, bringing forward some stylish lyrics (“Visions in my sleepless night took me to the moonlit sky / I stood in awe before the greatest show / And took a step away from what I have ever known”), and of course I would love to see them giving life to this metallic symphony during their live performances; and slowing things down a bit and being highly inspired by iconic bands like Nightwish and Epica, the band delivers another solid tune named Arcane Shores (Compass to Light), showcasing gripping guitar riffs intertwined with the flammable keys by Anri and McKenna’s passionate vocals.

Time for McKenna and her ethereal voice together with Anri’s gentle piano to take us to a world of love and peace in the enfolding ballad Crestfallen, with the song’s taste being nicely enhanced by all background orchestrations, flowing flawlessly until its climatic finale, whereas whimsical sounds ignite the epic and beyond symphonic Starbreathe, a song perfect for closing your eyes and embarking on a metal journey together with Solborn. Furthermore, Cody and Mike are on fire with their riffs and solos, slashing our senses while Danial doesn’t let the energy level go down not even for a single second, not to mention Anri’s futuristic (and therefore amazing) keyboard solo. In Voyage To The World’s End we’re treated to a galloping exhibit of classic metal music embraced by the stunning orchestrations by Anri and Danial, offering our avid ears over eight minutes of the best Symphonic Metal you can think of, including thrilling guitar and keyboard solos, spot-on breaks and variations, serene piano passages, epic orchestral moments, and once again presenting classy and poetic lyrics (“Paint my memory where we lay in haven of time / Play music of creek, sounds of wild clashing winds / With new life, awake from delirium / Spread your wings, come fly away with me”). And last but not least we have Last Curtains Fall, the perfect name for a closing song with the bass by Dylan bringing thunder to the sound while McKenna continues to deliver her romantic and fiery vocal lines. Although the overall result is not as thrilling as the rest of the album (and a bit too slow at times), it’s still a solid and entertaining creation by this skillful Canadian act.

Solborn might not be revolutionizing the world of Symphonic Metal with their music, but who said they were supposed to do that in Dark Lights of Delirium to succeed? They stuck to a well-known formula, added their own personal ingredients and twist, and voilà! There you have a full-bodied, imposing and enfolding album of classic Symphonic Metal (available for a full listen on Spotify, by the way). Having said that, if you want to know more about the band and show them your true support, don’t forget to check out their Facebook page and YouTube channel for news, tour dates and more of their music, and purchase your copy of Dark Lights of Delirium from their own BandCamp page or webstore. Because, as you already know, there’s nothing better than some first-class symphonic music to embark on an epic adventure through the eccentric realms of your own thoughts and dreams.

Best moments of the album: Beast Of Oblivion, Pale Blue and Voyage To The World’s End.

Worst moments of the album: Last Curtains Fall.

Released in 2018 Independent

Track listing 
1. Aurora 1:19
2. Ad Infinitum 7:08
3. Beast Of Oblivion 4:52
4. Pale Blue 5:07
5. Arcane Shores (Compass to Light) 4:53
6. Crestfallen 4:44
7. Starbreathe 6:04
8. Voyage To The World’s End 8:47
9. Last Curtains Fall 6:53

Band members
McKenna Rae – lead vocals
Cody Lloyd – lead guitars
Mike Bell – rhythm guitars, growls
Dylan Mooney – bass guitar
Anri Tsiskaridze – keyboards, orchestra
Danial Devost – drums, orchestra

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