Album Review – Beyond Carnage / Profane Sounds Of The Flesh EP (2018)

Aiming at creating a heavy and apocalyptic noise, with their old school Death Metal inspirations generating a filthy and powerful landscape, here comes a promising Portuguese horde crushing us all with their pulverizing debut opus.

Founded in the year of 2015 in the Portuguese capital Lisbon under the name Extreme Carnage, the pulverizing Death Metal five-piece horde known as Beyond Carnage has just released their debut opus, a five-track EP entitled Profane Sounds Of The Flesh, conceived with the aim to create a heavy and apocalyptic noise, with their old school Death Metal inspirations generating a filthy and powerful landscape. Having two of its tracks strongly inspired by the works of H.P. Lovecraft as well as European pagan legends, while the rest of the EP relies on an apocalyptic vision with a blackened atmosphere trapped in a paradox of organized chaos, Profane Sounds Of The Flesh is an amazingly aggressive welcome card by Beyond Carnage, accrediting the band as one of the most interesting new names of the Portuguese extreme music scene.

And the band comprised of vocalist João Colosso, guitarists Luís Correia and João Amado, bassist Inês Coelho and drummer Luis Abreu waste no time in their quest for Death Metal, as it’s time for total devastation with this talented Portuguese act to the sound of the opening track Infectious Parasitic Fungal God, with João Colosso almost vomiting the lyrics with his cavernous growls, while the band’s guitar duo will crush your spine with their demented riffs, bringing pure old school Death Metal for your avid ears. Then in the mid-tempo, demonic tune titled Necro Wizard, simply break your goddamn neck to the sluggish beats by Luis and the heavy and scorching guitar riffs, with Inês adding her personal dosage of obscurity to the music with her low-tuned bass.

And the band offers more of their straightforward Death Metal in Curse Of The Burning Rain, pounding their instruments like creatures of the dark, with the deep growls by João Colosso becoming as devilish as they can be, urging us all to slam into the pit to the sonic havoc blasted by the entire band. After such demented level of destruction, we have the even more disturbing Prophecy From A World Beyond, inspired by classic Death Metal the likes of Unleashed and Six Feet Under, with the band’s stringed trio Luis, João Amado and Inês giving a lesson in violence and gore, sounding raw and aggressive just the way we like it (not to mention João Colosso’s vile and putrid roars). And closing the album we have more of the band’s reverberating Death Metal with the song R´lyeh, Mother Of All Abominations, another killer metal feast where Luis showcases an amazing performance on drums, alternating between more rhythmic, potent beats and faster passages.

As previously mentioned, Profane Sounds Of The Flesh, available for a full listen on YouTube or on Spotify, has all the elements needed to turn it into a mandatory listen for fans of underground Death Metal, being an exciting sample of what we can expect from Bayond Carnage in the near future. In order to show those Portuguese metallers your support, go check what they’re up to on Facebook, subscribe to their YouTube channel, and obviously purchase Profane Sounds Of The Flesh directly from their BandCamp page, as well as from the Firecum Records’ webshop or from Discogs. In the end, you’ll feel disoriented and completely smashed after listening to the 25 minutes of brutality blasted by Beyond Carnage throughout the album, exactly what your metal soul was craving, as that’s what good Death Metal is all about.

Best moments of the album: Curse Of The Burning Rain and Prophecy From A World Beyond.

Worst moments of the album: None.

Released in 2018 Firecum Records

Track listing 
1. Infectious Parasitic Fungal God 5:18
2. Necro Wizard 4:40
3. Curse Of The Burning Rain 5:07
4. Prophecy From A World Beyond 3:41
5. R´lyeh, Mother Of All Abominations 7:02

Band members
João Colosso – vocals
Luís Correia – guitars
João Amado – guitars
Inês Coelho – bass
Luis Abreu – drums

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