Summoning the forces of chaos through the primordial horror of sinister music under the cloak of Satanic and anti-Christian opposition, here comes a Colombian infernal horde armed with their brand new opus.
Forged in the deepest fires of Pasto, the capital of the department of Nariño in southwestern Colombia, in 2007 by vocalist and multi-instrumentalist Brannagh Bapheker, but currently located in Pereira, the capital city of the Colombian department of Risaralda located in the foothills of the Andes, the demonic Black Metal act known as Evil Nerfal is unleashing upon the earth their second full-length opus, titled Bellum Est Pater Omnium, which translates from Latin as “war is the father of all”, summoning the forces of chaos through the primordial horror of sinister music under the cloak of Satanic and anti-Christian opposition, inspired by the early days of Mayhem, Marduk, Sarcófago, Enthroned and Denial of God.
Bellum Est Pater Omnium is an album that mixes European Black Metal elements from the 90’s with influences from old school metal made in South America, also including elements of Death Metal and western classical music. The result of this symbiosis is a Black Metal characterized by extreme intensity and speed, overloaded with contrasts of times (medium and slow speeds), polysemic in its riffs, versatile in the configuration of melodies and, above all, polyphonic, full of nuances, harmonizations and superposition of musical figures. Furthermore, the philosophical substratum that sustains the repertoire of lyrics of songs is based on the ontological configuration of evil, a poetic that evokes the cosmic supremacy of Satan, imbricated in knowledge, the anti-christian force, the anti-culture par excellence, while the strength of an inner experience that advocates for freedom in the opposition, in the experience, because Black Metal is a “consistent existential praxis”. And if none of this makes any sense to you, simply hit play and let you soul be darkened by the scorching music by Evil Nerfal.
An orchestral intro titled Coriolan (Overture) lets the curtains fall majestically for the furious and austere Fuck Off Jesus Christ, with Brannagh Bapheker extracting sulfurous riffs from his guitar while at the same time gnarling like a demonic entity. Furthermore, Purson Dominus crushes his drums ruthlessly, spreading sheer blasphemy and hatred in this devilish hybrid of Black and Death Metal. After such demented start we have In Endless Torment, another infernal creation by this Colombian outfit that might sound slower than its predecessor, but it’s still as dark as the pits of hell, with Brannagh once again delivering ominous riffs and bass punches while the beats by Purson alternate between a Doom Metal-inspired pace and the utter aggression from classic Black Metal.
The temperature rises once again in a hellish display of old school Black Metal titled Foedus Versus Deus (Against The Great Drone Of History), with the vocals by Brannagh bringing nuances of the rage of classic Death Metal, resulting in one of the best songs of the album without a shadow of a doubt; whereas En Las Fauces Del Demonio (Taedium Daemoni) begins as a diabolical march of extreme music led by the thunderous beats and fills by Purson, exploding into cataclysmic Black Metal to the growls by Brannagh. Moreover, the beauty of this song is the fact it’s sung in their mother tongue Spanish, sounding even more pulverizing, wicked and eccentric. And their sonic onrush of otherworldly sounds and noises goes on in the belligerent Agon (Bellum Est Pater Omnium), with both Brannagh and Purson firing sheer Black Metal through their instruments, summoning all the evil present in our decaying society.
Satanic Madness Black Metal Unleashed is an instrumental extravaganza led by Brannagh and his classic guitar riffs while Purson keeps the pace at a dark and demolishing level, setting the tone for the hard-hitting Sathanas Kingdom Rises, a demonic, chaotic devastation bred by the duo that will please all fans of underground Extreme Metal where Brannagh screams and growls like a beast nonstop, and with the merciless pounding drums by Purson making the whole song even more impactful. Then we have Vestigial (Manifiesto De Misantropía), their second blast of unrelenting Black Metal sung in Spanish, also presenting hints of the most vicious form of Death Metal in its blasphemous waves with Purson showcasing a great performance with his intricate, raging beats and fills, before an epic and orchestral outro named Egmont (Finale) puts a climatic end to this precious gem of underground extreme music.
You can join Evil Nerfal in their blasphemous and sulfuric quest for Black Metal by visiting their Facebook page and by listening to their music on SoundCloud, and if you want to show your true support to devilish Black Metal from the underworld you can purchase the scorching Bellum Est Pater Omnium (which by the way is available for a full listen on YouTube) from the GrimmDistribution’s BandCamp page, on iTunes, on Amazon or at Discogs. May Evil Nerfal continue to pave their path of obscurity, blasphemy and hatred for many years to come, proving high-end underground Black Metal is stronger than ever even in places far away from its birthplace Scandinavia.
Best moments of the album: Fuck Off Jesus Christ, Foedus Versus Deus (Against The Great Drone Of History) and Sathanas Kingdom Rises.
Worst moments of the album: None.
Released in 2018 GrimmDistribution
1. Coriolan (Overture) 2:25
2. Fuck Off Jesus Christ 4:20
3. In Endless Torment 4:44
4. Foedus Versus Deus (Against The Great Drone Of History) 4:31
5. En Las Fauces Del Demonio (Taedium Daemoni) 5:25
6. Agon (Bellum Est Pater Omnium) 4:16
7. Satanic Madness Black Metal Unleashed (Instrumental) 5:35
8. Sathanas Kingdom Rises 4:18
9. Vestigial (Manifiesto De Misantropía) 3:42
10. Egmont (Finale) 1:36
Brannagh Bapheker – vocals, guitars, bass
Purson Dominus – drums
Óreidu – guitar (live/session)
Engram Zulphur – bass (live/session)