Album Review – Rapheumets Well / Enders Door (2017)

Enjoy the third and final installment of the saga of the Atai in the form of a thirteen-song Sci-Fi opera of Symphonic and Progressive Black Metal.

After the releases of the first and second parts of a trilogy about the complex saga of the Atai (ancient architects), who aid in the propagation of sentient life throughout the multi-verse, those being the full length albums Dimensions, from 2014, and The Exile, from 2016, American Symphonic/Progressive Black Metal warriors Rapheumets Well return now in 2017 with the third and final installment of this musical saga, Enders Door, a thirteen-song science fantasy opera in the form of Symphonic Metal. Although this relentless North Carolina-based squad suffered a few lineup changes from their previous release, such as the departure of lead singer Tripp King (being replaced by the insanely talented growler Jeb Laird), their music remains bold, visceral and ominous, perfect to give a climatic ending to such compelling story.

And do you want to know what happens in Enders Door while the entire band is kicking some serious ass with their flammable instruments? Well, this is what Rapheumets Well will tell you: in the fifth era of the Avomenian Empire, amidst the planetary ruins of Vaath, a rogue traveler would discover an artifact that would forever change his place in the cosmos. Upon arriving to retrieve the artifact, it became apparent that Eryos’ brother Nathyiem would never make it to their arranged meeting point.  In departing from the planet Vaath, Eryos received a distress signal from his brother’s ship, coming from an uncharted planet.  Upon arriving, he found an odd world inhabited by a mysterious species called the Dreth led by lecherous matriarch named Eishar.  It is here that he would uncover a faced-door, an inter-dimensional gateway to the Ender.

In the opening track, titled The Traveler, we face an eerie, cinematic start to the album, transporting us to the world of Rapheumets Well by blending the finesse of keyboards and choir with devastating blast beats, before Jeb begins growling like a beast; followed by Distress on the Aberrant Planet, where the brutality led by the band’s mastermind Joshua “Nasaru” Ward on drums is effectively complemented by the keyboards by Annette Greene, while guitarists Brett Lee and Hunter Ross make sure they add the world “metal” to the music. The Autogenous Extinction offers the listener more demolishing, ominous sounds crafted by this unstoppable band, resulting in high-end Symphonic Black Metal with hints of Blackened Death Metal for admirers of the music by Dimmu Borgir and Behemoth, with Annette bringing balance to the sonic havoc with her smooth vocals. And in Secrets of the Demigods we’re treated to another great “duel” between Annette and Joshua, a true clash of delicate vocals and bestial beats, all embraced by a dark and dense background enhanced by classic guitar riffs and solos.

Then we have one of the longest and most complex of all tracks, Lechery Brought the Darkness, with its semi-acoustic intro suddenly exploding into sheer Symphonic Black Metal, with the paradox of voices between Annette with her angelic vocals and Jeb with his rabid gnarls sounding incredible from start to finish; and the title-track Enders Door, a fantastic tune showcasing a phantasmagorical background, extreme violence flowing form Joshua’s drums, and crushing guitar lines by both Brett and Hunter, perfectly depicting the traveler’s quest in the form of top-tier metal. In Prisoner of the Rift, they keep a menacing aura upon us with a fusion of Symphonic Metal with acoustic and even folk elements, creating a unique sonority led by the gentle voice of Annette, whereas The Diminished Strategist kicks off in full force, being an amazing representation of modern and intense Black Metal. Furthermore, the song’s keyboards sound mesmerizing when combined with the clean vocals by both Annette and Joshua, with the huge amount of progressiveness added to the music amidst all the sonic chaos going on resulting in an eccentric music voyage.

Nastarian Waltz works as a whimsical bridge to the imposing and epic Ghost Walkers Exodus, where Joshua continues to impress on drums with his nonstop beats and fills in a flawless combination of progressiveness, symphonic elements and the most devastating form of Black Metal. Put differently, this song alone sounds so complete it is already worth the investment on the album. On the other hand, Killing the Colossus, despite being another solid creation by Rapheumets Well, is not as gripping as the other songs of the album. Its guitars and keyboards in a dark sync help boost the song’s taste though, not to mention the obscure vociferations by Jeb. Lastly, after a piano-guided atmospheric bridge titled Eishar’s Lament, it’s time for the closing track of the album, the sinister Unveiling the Sapient, with Joshua once again pulverizing everything and everyone with his drums while Brett and Hunter deliver some Technical Death Metal-inspired guitar lines and solos, culminating in a sensational conclusion for this awesome Sci-Fi story.

What are you waiting for to dive into the metallic world of Rapheumets Well? You can buy your copy of Enders Door at the Test Your Metal Records’ BandCamp or Big Cartel, as well as on iTunes or Amazon, and remember you can also get online the first two installments of this heavy and gripping trilogy, such as HERE and HERE. I honestly don’t know what’s next for Rapheumets Well, if they’ll start a new trilogy with a whole different story, if they’ll release a regular album, or maybe even release a prequel to this existing trilogy. One thing is certain: no matter what their next step is, we can rest assured Joshua and his bandmates will certainly blow our minds once again with their multi-layered metal music.

Best moments of the album: Distress on the Aberrant Planet, Enders Door and Ghost Walkers Exodus.

Worst moments of the album: Killing the Colossus.

Released in 2017 Test Your Metal Records

Track listing
1. The Traveler 4:39
2. Distress on the Aberrant Planet 3:57
3. The Autogenous Extinction 4:45
4. Secrets of the Demigods 4:40
5. Lechery Brought the Darkness 6:39
6. Enders Door 6:35
7. Prisoner of the Rift 2:58
8. The Diminished Strategist 5:36
9. Nastarian Waltz 1:13
10. Ghost Walkers Exodus 5:41
11. Killing the Colossus 5:58
12. Eishar’s Lament 1:18
13. Unveiling the Sapient 7:21

Band members
Jeb Laird – lead vocals
Annette Greene – clean vocals, keyboards
Brett Lee – guitar
Hunter Ross – guitar
Joshua “Nasaru” Ward – drums, clean vocals

Advertisements

2 thoughts on “Album Review – Rapheumets Well / Enders Door (2017)

  1. Pingback: The Headbanging Moose – Rapheumets Well – Enders Door “One thing is certain: no matter what their next step is, we can rest assured Joshua and his bandmates will certainly blow our minds once again with their multi-layered metal music.&#

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.