Album Review – Katharos XIII / Negativity (2017)

After the 56 minutes of intense and pensive Depressive Suicidal Black Metal thoroughly crafted by this Romanian quartet reach deep into your soul, you’ll never be the same again.

Born in 2007 in the city of Timișoara, the main social, economic and cultural centre in western Romania located around 550km northwest of the capital Bucharest, and functioned in the early days as a one-man band until de beginning of the recordings of the demo Silver Melancholy in late 2008, self-released in 2009, Depressive Suicidal Black Metal act Katharos XIII return after their 2011 debut Dead Emotions with their second full-length installment, titled Negativity, comprised of seven tracks emerged from the dark chambers of human psyche, questions and deep melancholy into black chords, a truly unique combination of different layers and influences.

Featuring a somber artwork by Romanian artist Alexandru Das (Argus Megere, North, Ordinul Negru), Negativity offers the listener an amalgamation of personal experiences (all kinds of abuse, paranoia, severe depressions), strange stories, movies (Greenaway, Lynch) and books (Eliade, Cioran, Zola), all thoroughly put together by the talented F on vocals, guitars and keyboards, Andrei on guitars, SQ on bass and Sabbat on drums, resulting in a unique experience of extreme music for admirers of the genre. And if you feel your heart got darker after listening to the album’s 56 minutes of intense and pensive Black Metal, that means Katharos XIII succeeded in sending you the desired message through their disturbing music.

Opening the album on a high note we have XIII, a modern approach to Black Metal sounding very melodic and epic thanks to the excellent guitars by F and Andrei, with the devilish gnarls by F bringing more obscurity to the overall result. Moreover, its riffs get to a very traditional mode halfway through it, while the song’s atmosphere keeps growing in intensity and mystery, flowing to an ominous ending led by the demonic vociferations by F. Slightly different than its predecessor, the title-track Negativity goes full Black Metal, overflowing blast beats, flammable riffs and infernal growls, also presenting elements from Atmospheric Black Metal and Doom Metal, not to mention its disturbing lyrics (“Burn in the kingdom of the blind / A garden that cannot be seen / By the ones who ignore the creation / The path of the eternal self-torment”) and its beyond somber break.

The steady beats by Sabbat together with the darkened keys by F create a truly somber ambience in No One Left to Lead the Way, a perfect fusion of Black Metal with Blackened Doom supported by a strong harmonious background, flowing into a smooth but very obscure ending; followed by The Chains are so Beautiful, where a melancholic and grim beginning led by Sabbat with his sluggish beats and bassist SQ with his low-tuned roars gradually leans towards old school Doom Metal, supporting the very macabre spoken words by F (“I will tell you a story / Stories as we all like to hear / The amphetamine has won the game / Enslaving the pain inside soul / Close your eyes and sleep tight / While the angels watch you closely / Nothing bad to happen to you / Only to fall into their arms”), before exploding into visceral and deranged Black Metal until its introspective finale.

Spearheaded by the piercing riffs by Andrei, World’s Coffin sounds like a blackened waltz, with F grasping his words bestially, blending old school Black Metal with contemporary Symphonic Black Metal the likes of Dimmu Borgir. Furthermore, the bass by SQ keeps rumbling in a demonic way in the background, topped with a soulful solo by Andrei. I Die Everytime I Walk This Path brings forward a serene and contemplative intro, generating a comforting but at the same time perturbing ambience where F instead of growling simply grasps in a vile manner. Not only that, tempestuous moments are thoroughly inserted in this Blackened Doom aria, with the beautiful work done by Andrei and SQ with their strings taking you to a dark dimension ruled by Katharos XIII. Lastly, closing this amazing album of extreme music the band offers a darkened assault titled Inside, with Sabbat pounding his drums vigorously while Andrei blasts straightforward demonic riffs, reaching an epic and reverberating stage before the song’s climatic and violent conclusion.

In other words, are you prepared to have your mortal soul embraced in the endless darkness crafted by Katharos XIII? If you can’t wait for that to happen, then you should definitely visit Katharos XIII on Facebook to know more about this distinct Romanian band, and purchase your copy of Negativity through the Loud Rage Music’s BandCamp or webshop, as well as at Discogs. As mentioned before, after listening to Negativity, you’ll never be the same again, and all you’ll have to do is to thank this amazing Romanian quartet for such unique experience of dark and mournful sounds.

Best moments of the album: XIII, Negativity and World’s Coffin.

Worst moments of the album: None.

Released in 2017 Loud Rage Music

Track listing
1. XIII 9:50
2. Negativity 6:13
3. No One Left to Lead the Way 6:24
4. The Chains are so Beautiful 8:21
5. World’s Coffin 5:58
6. I Die Everytime I Walk This Path 12:03
7. Inside 7:16

Band members
F – vocals, guitars, keyboards
Andrei – guitars
SQ – bass
Sabbat – drums

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One thought on “Album Review – Katharos XIII / Negativity (2017)

  1. Pingback: The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2017 | THE HEADBANGING MOOSE

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