“Sepultura do Brasil” changed the world of music with the most creative Thrash Metal album of all time.
The year of 1996 was a very special year in my life: it was my last year in high school, I finally turned 18, I was dating the most beautiful girl of the entire school, and in terms of music I saw Maiden live for the first time as well as some other awesome bands such as Helloween, Manowar, The Ramones, and my countrymen from Sepultura. I used to love listening to Beneath the Remains, Arise and Chaos A.D., but they simply blew my mind with the most innovative Thrash Metal album of all time: Roots.
Every relevant Thrash Metal band in the world has at least one unique album that redefined that music genre somehow, like Bonded by Blood from Exodus or Reign in Blood from Slayer. In the case of Sepultura, it was Roots that made them reach the top of the charts and become a reference for all future Thrash Metal bands. There were so many new elements in this album that I could spend hours writing about each one of them, but I’ll focus on the most important one in my opinion, which was Max Cavalera’s voice. He brilliantly turned his voice into a musical instrument, reaching some insane notes and sounding more violent than ever, changing the way many other guttural singers used their voices from that year on. Check out at the end of this post the video for Roots Bloody Roots, Sepultura’s all-time classic, and you’ll be able to see how his voice fully integrates with the other instruments giving a special punch to the whole album.
The most famous songs from Roots are Roots Bloody Roots, of course, Attittude with its amazing riffs and lyrics, and my least favorite one Ratamahatta (the lyrics don’t make any sense at all, it’s just a bunch of stupid disconnected Brazilian words, with a guest musician that makes me want to vomit just by hearing his name). However, you must pay attention carefully to the rest of the album because there are so many good guitar riffs, lyrics and percussion that will make you listen to Roots non-stop for weeks. You’ll find heavy and violent tracks, such as Straighthate, Spit, Cut-Thorat and Dictatorshit; some songs that were unimaginable for a Thrash Metal band before that like Lookaway (with the crazy Mike Patton as a special guest) and Ambush; and some material that doesn’t even sound Metal, but are extremely important for the album concept: Jasco and Itsári, this one being recorded with an aboriginal tribe in Brazil called the Xavantes. All songs connected, all representing a sad and violent side of Brazil. And the front cover is just amazing, perfectly summarizing the whole album in one single image.
My version of the album (which was probably the one released only in Brazil) had two great covers for Celtic Frost’s Procreation of the Wicked and Sabbath’s Symptom of the Universe, this one also featuring in that good Sabbath tribute called Nativity in Black. If you don’t have these two songs in your version of Roots, you should go after them.
There are very few things that make me proud of being Brazilian, and Sepultura and Roots are part of this “selected” group. This album is so great that it has not only changed Thrash Metal, it has changes music in general. Sepultura do Brasil! Um, dois, três… VAI!
Best moments of the album: Roots Bloody Roots, Attitude, Straighthate and Born Stubborn.
Worst moments of the album: Ratamahatta and Endangered Species.
Released in 1996 Roadrunner Records
1. Roots Bloody Root 3:32
2. Attitude 4:15
3. Cut-Throat 2:44
4. Ratamahatta 4:30
5. Breed Apart 4:01
6. Straighthate 5:21
7. Spit 2:45
8. Lookaway 5:26
9. Dusted 4:03
10. Born Stubborn 4:07
11. Jasco (instrumental) 1:57
12. Itsári (instrumental) 4:48
13. Ambush 4:39
14. Endangered Species 5:19
15. Dictatorshit 1:26
Max Cavalera – vocals, rhythm guitar, 4-string guitar, berimbau
Igor Cavalera – drums, percussion, timbau, djembe
Paulo Jr. – bass guitar, timbau grandé
Andreas Kisser – lead guitar, sitar, backing vocals