Trivium join forces with Disturbed’s David Draiman to produce another good album with an infinite number of pretty cool heavy riffs.
As I already mentioned a few posts ago in my Trivium & DevilDriver concert review, Trivium has become one of the most important contemporary Metal bands, and again with Vengeance Falls they justify why they’ve reached this level. It’s not a masterpiece, but a solid album to follow the great In Waves, with some new elements brought by producer David Draiman (the brain behind Disturbed). The opening track, Brave This Storm, was released a few weeks ago, and its amazing riffs and chorus still maintain it as my favorite song of the album. By the way, the whole album is a lesson in heavy riffs, so if you’re a guitar player don’t think twice and go get your copy of the new Trivium album.
Then we have the title-track Vengeance Falls and another one of my favorites, Strife (best chorus of the album), both with awesome guitar riffs that remind me of some of the old Disturbed riffs, probably due to David Draiman’s influence as the producer. It would have been really interesting if he had also sang one or two songs with Trivium! No Way To Heal has all the elements that are so characteristic in Trivium’s music, making it a very heavy and progressive song. The next track, To Believe, is another song that seems to have a lot of influence from Draiman and one of the greatest positive surprises of the album for me, which is not the case with At the End of This War: just an average song that sounds flat after 3 minutes. But things get back to normal (in other words, HEAVY and CREATIVE) with Through Blood and Dirt and Bone and its excellent “heavy riff and fast drums” work (and I enjoy a lot when Matt screams the chorus!).
Villainy Thrives has a good rhythm, which will certainly make the fans jump as the band requires during the concerts, while Incineration: The Broken World, one of the longest songs of the album, starts with another cool riff and has Nick Augusto doing his best job on the drums in the whole album. Closing the album we have Wake (The End Is Nigh), the longest song that starts slowly but then moves to a fast speed, showing a more traditional Trivium again. The bonus tracks in the special edition of the album are all very good, especially their cover for Misfits’ Skulls…We Are 138, and if you manage to find the Japanese version, it has a different bonus: an interesting version for REM’s Losing My Religion.
The lyrics as usual are as crazy as they can be. Well, what else could we expect from Matt Heafy? “Burn us alive for our sins and our crimes / We are the wretched ones: malevolent slime” And regarding the album cover, I personally enjoy when it doesn’t explicitly show the name of the album or the band. In Vengeance Falls, the cover works as a complement to the album title, doing a cool job with the band’s logo. And last but not least, I didn’t mention anything about Corey or Paolo because I don’t need to: they’re awesome musicians doing a very consistent job as always, helping Trivium in being an important reference in heavy music today.
Best moments of the album: Brave This Storm, Strife and To Believe.
Worst moments of the album: At The end of This War, and the lack of the old screams from Matt in most of the songs. I know he cannot scream 100% of the time, but a little more would be great to the entire album.
Released in 2013 Roadrunner Records
1. Brave This Storm 4:29
2. Vengeance Falls 4:13
3. Strife 4:30
4. No Way to Heal 4:05
5. To Believe 4:32
6. At the End of This War 4:47
7. Through Blood and Dirt and Bone 4:26
8. Villainy Thrives 4:54
9. Incineration: The Broken World 5:52
10. Wake (The End Is Nigh) 6:00
11. No Hope for the Human Race 3:59
12. As I Am Exploding 5:51
13. Skulls…We Are 138 (Misfits cover) 3:31
14. Losing My Religion (R.E.M. cover) 4:41
Matt Heafy – guitar, lead vocals
Corey Beaulieu – guitar, vocals
Paolo Gregoletto – bass guitar, vocals
Nick Augusto – drums, percussion